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Perhaps the most important song on Rocks is the Whitford/Tyler composition “Nobody’s Fault”. (Knock wood, no major illnesses yet in 2015!) I can’t help but get it in my head every time I actually am sick as a dog. I’ve loved this melodic rocker (similar to past tracks such as “No More No More”) since day one. “Combination” is an album highlight boasting hooks and cool bass licks galore, and listen to Joey Kramer tearing it up on the drums! “Sick as a Dog” is another semi-forgotten classic. I need something groovy and right in the pocket after that, and “Combination” sung together by Tyler and Perry is one such groove. Harmonica hooks and slide guitar goodness - I’d say they nailed it. Somebody said that the goal here was take what the Yardbirds were doing and turn it up. A spiritual sequel to the song “Toys in the Attic”, this one’s even meaner and faster. This unexpectedly fades into the metallic aggression of “Rats in the Cellar”.
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With the help of an understated horn section, Aerosmith turn “Last Child” into something special. Gotta get back to the real nitty gritty.” “Last Child” meanwhile nails the oft-overlooked funky side of Aerosmith.ĭown cross the bridge to my sweet sassafrassy, In some ways “Back in the Saddle” sounds like the birth of the true Aerosmith. Steven Tyler has mastered his own voice by this time, squealing and shrieking in conjunction with the hooks. The main riff in the song is not a guitar, but Joe Perry playing a six string bass.
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“Back in the Saddle” is an impressive opener. It is also notable as being the last album before a major turning point the point at which Aerosmith let the drugs work against them in a major way. The album launched a million guitar players and a hundred careers in rock and roll. Packaged clean and sharp, Aerosmith made their intentions clear on the cover art for Rocks. AEROSMITH – Rocks (1975 Columbia, 1993 Sony)